梁思成誕辰一百二十週年文獻展:前言

梁思成誕辰一百二十週年文獻展:

前言

莊惟敏

遺憾沒有見過樑思成先生瘦削的身影,慶幸能夠從資料中聽到梁先生的聲音。毫不懷疑支撐梁先生身體的絕不只有長期穿著的鋼架,於是一遍一遍地體會棟樑的含義,並在先生誕辰120週年之際藉助展覽與大家交流。

棟樑是要有高度的。需要曾經越過重洋,並俯瞰重洋。於是今天的展覽始於先生的求學。家學的積澱、西學的思路、國學的方向編織在一起,輔以先生活躍的天性,既是先生成就的起點,也可以說開闊了先生學術的天空。

棟樑是要有強度的。需要研讀艱深的文字,需要承受奔波的勞苦。於是今天展覽的中心部分是先生親身參與建立的一連串中國建築史學的里程碑。表面上難以承受的枯燥,經歷了高強度的研究工作,幻化成為一段段鮮活的歷史故事。更加重要的是,先生那種鼎新須先溫故的立場,雖然在歷史的波濤中幾經沉浮,但是理應贏得所有人的尊敬。

棟樑是要有跨度的。需要以社會為己任,以教育為目標,而跨越歷史研究、規劃設計實踐、遺產保護,以及一切面向健康子孫的關切。今天展覽的這幾個章節,簡短而務求有力。國徽、人民英雄紀念碑的設計以及北京古城的保護,還有東北大學和清華大學兩個建築系的創辦,從學術研究到用學術回饋社會,映射出一位青年成長為父親、祖父,乃至於先知一般的心胸,並且準備好做出自我的犧牲。

棟樑不會把自我犧牲看作犧牲,棟樑的心胸使得壓力變成了快樂;棟樑的快樂可以感染整座建築。用先生自己的詞彙,做一個嚴謹而快樂的“拙匠”。做一個拙匠,讓我們這個時代的建築學人以此共勉。

2021年8月3日清華園

PREFACE

Zhuang Weimin

I never had the chance to meet Professor Liang Sicheng in person, but I feel fortunate to have had the opportunity to listen to a recording of his voice。 I never doubted that the metal frame he was wearing was not the only thing that supported the unstable bones of his thin body, and I have searched for meaning of the pillar (in society)。 In this exhibition marking the 120thanniversary of Liang’s birth I would like to share my thoughts with you。

Pillar in the society requires height and depth in the thought。 Thus, this exhibition starts with Liang’s quest to improve himself and learn。 His pursuit of knowledge was the result of several factors: his family heritage; the global mindset gained from his studying experience in the West; the direction given by traditional Chinese culture; and his own personality。 These factors formed the starting point for Liang’s achievements, or to be more precise, they heightened the prospect for Liang’s academia success。

Pillar is strong and thrived under pressure。 And Liang like that pillar developed a strength and skill in expressing himself in writing。 Therefore, the core content of this exhibition is the story of Chinese architecture history studies written by Liang Sicheng and his colleagues, who turned a fragmented collection of past events into a compelling narrative (after they had carried out in-depth research to confirm the facts)。Additionally, despite the many difficult situations Liang had to overcome in his life, Liang’s respect for the past was contagious and brought many others to cherish and preserve old Chinese buildings。

Pillarrequires intersectoral and multidisciplinary character。 Liang waslike the pillar which carried social responsibility and supported education ranging from design practice to theory, from cultural heritage preservation to the future of the human habitat。 In this sense, this exhibition covers a small but very diverse range of topics including Liang’s design proposals of the Chinese National Emblem, the Monument to the People’s Heroes, and the preservation of the historical city of Beijing, as well as his contributions to the establishment of the architecture departments of Northeastern University and Tsinghua University。 Furthermore, although Liang began his life journey with academic research, he made his research later useful to society, which reflects the stages of his life (growing from a young man into a father, grandfather, and distinguished scholar) as well as his personal commitment and willingness to sacrifice。

Pillar in the society does not see self-sacrifice as a sacrifice, pressure was not a burden, because withstanding a pressure was a necessary condition for success and happiness。 Liang once claimed that he was a diligent but happy “workman”。 Liang’s great quote is one that we probably still can draw inspiration from and use as a motto to live our lives by in the Age of Celebrity。

2021。8。3

梁思成誕辰一百二十週年文獻展:前言

棟樑

梁思成誕辰一百二十週年文獻展

展覽時間

2021年8月10日-2021年10月20日

展覽地點

清華大學藝術博物館四層7、8號展廳

總策劃

莊惟敏

策展人

蘇   丹  劉   暢  王   南

學術顧問

吳良鏞  秦佑國  左   川

朱文一  邊蘭春

學術統籌

張   利  張   悅

術內容

王貴祥  呂   舟  賴德霖  賈   珺

程曉青  武廷海  楊   銳

荷雅麗  王青春  劉亦師

李路珂  陳   遲

王   軍  汪悅進  丁   垚

王卓男  呂晨晨

展覽統籌

蘇   丹  杜鵬飛  王晨雅

視覺統籌

王   鵬

視覺設計

王   鵬  王美懿

展陳設計

馬   閱  劉徽建

展覽執行

劉徽建  王晨雅  馬   閱  龍若蘭

孫藝瑋  劉玉晴

多媒體設計

張   薦  嶽   祺  閔嘉劍  於博柔

聲場設計

張   薦

音影片剪輯

李奔跑  房曦桐  孟禹彤

文獻整理

趙薩日娜  楊   澍  劉方元  聶涵雅

楊  雪      黎   亮  姜慎微

英文審譯

荷雅麗  朱欣蕊  周書揚  路   遙

賈   崢  賈思敏  張佳越  熊雨溪

索菲婭  高郡鋮  朱柳霏  劉子彧

周慧姍  羅海嘉

行政事務

鄒黎明  龍姝羽  孫海東  馬豔豔

宣傳推廣

李   哲  劉垚夢  周辛欣  肖   非

葉   揚  劉洪春  王芷涵  項琳斐

許寧婧

主辦單位

清華大學

聯合主辦

中國建築學會

中國城市規劃學會

中國風景園林學會

中國文物學會

承辦單位

清華大學建築學院

清華大學藝術博物館

清華大學檔案館

協辦單位

中國勘察設計協會

中國城市規劃協會

支援單位

中國國家圖書館

中國文化遺產研究院

中國營造學社紀念館

哈佛大學中國藝術實驗室

清華大學校史館

故宮博物院

南京博物院

山西省古建築與彩塑壁畫保護研究院

太原市檔案館

太原市城建檔案館

中國園林博物館

天津大學建築學院

內蒙古工業大學建築學院

應縣木塔文保所

佛光寺文保所

特別鳴謝

中衡設計集團股份有限公司

啟迪設計集團股份有限公司

日清國際設計有限公司

清華大學建築設計研究院有限公司

北京清華同衡規劃設計研究院有限公司

讀庫

巨晶科技

雜•書舘

林   洙  梁再冰  於   葵  梁   鑑

殷力欣  劉天浩  張水澄  童   明

張   琴  惠鵬宇

媒體支援

《世界建築》

《建築史學刊》

《建築學報》

“人文清華”講壇

《中國建築文化遺產》

TAG: Lianghis棟樑was展覽