玉璧是一種中央有穿孔的扁平狀圓形玉器，為我國傳統的玉禮器之一，也是“六瑞”（古代以玉作瑞信之物，用於朝聘，計六種，故名“六瑞”。《周禮·春官·大宗伯》載：“王執鎮圭，公執桓圭，侯執信圭，伯執躬圭，子執谷璧，男執蒲璧。”六瑞形制、大小各異，以示爵位等級之差別）之一。《爾雅·釋器》載：“肉倍好，謂之璧；好倍肉，謂之瑗；肉好若一，謂之環。
”Jade Bi is a flat round jade article with a perforation in the center。 It is one of the traditional jade rituals in my country。 “Liu Rui。” “Zhou Li · Chun Guan · Da Zong Bo” contains： “Wang Zhi Zhen Gui， Gong Zhi Huan Gui， Hou Zhi Xin Gui， Bo Zhi Gong Gui， Bi。” One of the six Swiss shapes and sizes to show the difference in the rank of nobility）。 “Erya · Interpreter” contains： “The meat is good， it is called the bi； the meat is good， it is the yuan； the meat is as good as the one， it is called the ring。”
根據文獻資料和考古出土狀況分析，各式玉璧在玉禮器中使用較為廣泛。凡貴族朝聘、廟堂祭祀、喪葬禮儀等，用璧都有規定。玉璧分大小兩種，春秋戰國時期，大者作為天子、諸侯或貴族禮天之器，故用圓形青玉，象徵蒼天。《周禮·冬官·玉人》載“璧琮九寸，諸侯以享天子”，說明王者用玉有嚴格規定。此外，人們還以玉祭祀祖先，以玉陪葬。戰國乃至秦漢時期的墓葬中，一般都有用玉器陪葬的習慣，從陪葬的玉器數量和質量上可以看出墓主的大概身份。所以玉璧的主要用途，一為祭器，用以祭天、祭山、祭海、祭河等；二為禮器，用作禮天或作為身份的標誌（如《周禮·春官·典瑞》所云“子執谷璧，男執蒲璧”之類）；三為葬器，作辟邪和斂屍之用。後來出現了器形較小的玉璧，一般用作佩飾以顯示身份，或用作衡器的砝碼。
According to the analysis of literature and archaeological unearthed conditions， various types of jade bibs are widely used in jade ritual vessels。 There are regulations for the nobles’ court appointments， temple sacrifices， and funeral rituals。 There are two types of jade bi， large and small。 During the Spring and Autumn and Warring States period， the older ones were used as gifts for the emperor， princes or nobles， so round sapphire was used to symbolize the heaven。 “Zhou Li · Winter Official · Jade Man” contains “Bicong nine inches， the princes enjoy the emperor”， indicating that the king has strict regulations on the use of jade。 In addition， people also sacrificed their ancestors with jade and buried them with jade。 In the tombs of the Warring States and even the Qin and Han dynasties， it was generally customary to bury with jade。 The approximate identity of the tomb owner can be seen from the quantity and quality of the jade。 Therefore， the main purpose of jade bi is as a sacrificial vessel for offering sacrifices to the sky， mountains， seas， rivers， etc。； the other is a sacrificial vessel， used as a ceremony or as a sign of identity （such as “Zhou Li·Chun Guan·Dian ”Rui“ says ”the child holds Gubi， the man holds Pubi“ and so on）； the third is a burial vessel， used for warding off evil spirits and grabbing corpses。 Later， a jade with a smaller shape appeared， which was generally used as an ornament to show identity， or as a weight for a weighing instrument。
戰國時期是古代玉璧發展史上一個承前啟後的重要階段。這一時期的玉璧既承襲了西周、春秋時期的風格特徵，又有區別於傳統的變革創新。戰國玉璧在形制、紋飾和工藝水平上達到了一個新高度，為漢代形成玉璧發展的鼎盛局面提供了極好的正規化和基礎。這一時期的玉器是中國玉器文化發展史上的重要一環，無論從藝術的角度還是從技術的角度考察，都具有很高的價值。這一時期儒家思想興起，儒學者繼承併發揚古人愛玉、崇玉的傳統，選擇“玉”作為其政治思想和道德觀念的載體，提倡“君子比德於玉”，將玉道德化、人格化。在此基礎上，貴族階層盛行佩戴成組玉飾，因為雕制精巧的玉器不僅形制美觀，而且還顯示出佩戴者的品格。
The Warring States Period was an important stage in the history of the development of ancient jade bizarre。 The jade bi in this period not only inherited the style characteristics of the Western Zhou Dynasty and the Spring and Autumn Period， but also has different reforms and innovations from the traditional。 The Jade Bi of the Warring States Period reached a new height in form， pattern and craftsmanship， which provided an excellent paradigm and foundation for the formation of the heyday of the development of the Jade Bi in the Han Dynasty。 The jade of this period is an important part of the development history of Chinese jade culture， and it is of high value no matter from an artistic point of view or a technical point of view。 During this period， Confucianism emerged。 Confucian scholars inherited and carried forward the ancient tradition of loving jade and worshiping jade。 They chose ”jade“ as the carrier of their political thoughts and moral concepts。 They advocated that ”the gentleman is more moral than jade“ and made jade moralized and personified。 。 On this basis， groups of jade ornaments are popular among the nobles， because the exquisitely carved jade objects are not only beautiful in shape， but also show the character of the wearer。
玉璧是中國古代玉文化中最為核心的玉器之一。在中國傳統文化理念中，玉璧象徵著人們美好的意願和高貴的品質，深刻地影響了中國人的傳統觀念和日常生活，當年國徽圖案的設計就是以玉璧為主體的。此外，2008年北京奧運會獎牌的設計靈感也來自玉璧。此《戰國玉璧》，其器料的切割與磨製方法均較原始自然，中間鏤空，外圍鑄蟠螭紋，周圍紋樣飾之。所用玉料以青玉或和田玉為主，顏色為褐色，整體氣息極為古樸大氣，典雅具有極高的文化價值，研究價值，和收藏投資價值。
Jade Bi is one of the most core jade artifacts in ancient Chinese jade culture。 In the concept of traditional Chinese culture， jade bi is a symbol of people‘s good will and noble quality， and has profoundly affected the traditional concept and daily life of Chinese people。 The design of the national emblem pattern was based on jade bi as the main body。 In addition， the design inspiration for the 2008 Beijing Olympics medals also came from Yubi。 In this ”Warring States Jade Bi“， the cutting and grinding methods of the materials are more primitive and natural。 The middle is hollowed out， the periphery is cast with a pattern， and the surrounding patterns are decorated。 The jade materials used are mainly sapphire or Hetian jade， and the color is brown。 The overall atmosphere is very simple and elegant， and it has high cultural value， research value， and collection and investment value。