SUMAY樹美 | 煙火氣的潮汕，百味珍饈外的文化脈絡

2021-11-28由墅城會發表于文化

汕頭作為中國獨具特色的「擁灣面海」的濱海城市，潮汕文化重要的發源地、興盛地之一。在潮汕，不管做什麼都講求極致、精細。「雅」也是潮汕文化裡的顯性基因。

Shantou is a unique coastal city in China that “bears the bay and faces the sea”， and is one of the important birthplaces and prosperous places of Chaoshan culture。 In Chaoshan， no matter what you do， you always strive for the ultimate and meticulous。 “Elegance” is also a dominant gene in Chaoshan culture。

在這裡文化即是日常，整體設計延續建築景觀的思路，構於「煙」，襟於「火」，以潮汕歷史為基調，讓居者在放鬆的同時，也能感受潮汕的歷史底蘊。透過光影、材質、肌理的選擇，以及空間的明暗對比，使空間變得有深意，值得去體驗和無限回味。

Culture is daily life here， and the overall design continues the idea of architectural landscape， built on “smoke” and “fire”， with Chaoshan history as the keynote， allowing residents to relax and feel the history of Chaoshan at the same time。 Through the choice of light and shadow， material， texture， and the contrast of light and dark in the space， the space becomes meaningful， worthy of experience and infinite aftertaste。

步入空間人們留於此，一天，一年，或一輩子。或許，他們貪戀的，就是放空的一剎那，被封存進時光的琥珀，空氣凝滯，時光駐足，體驗著潮汕文化的無盡新奇，又享受著家的放鬆和溫馨。幽謐、通透、而淡淡然，在這裡，人們只需要感受，即可在與自己相處的安靜時刻，獲得力量。

People who step into the space stay here for a day， a year， or a lifetime。 Perhaps， what they are greedy for is the moment of emptying， the amber sealed into time， the air is stagnant， time stops， experiencing the endless novelty of Chaoshan culture， and enjoying the relaxation and warmth of home。 Quiet， transparent， and indifferent， here， people only need to feel to gain strength in the quiet moments of getting along with themselves。

143戶型

/城市印記 · 歷久彌新

SUMAY DESIGN

入門那瑩瑩生動的雪白（玄關雕塑）、恣意，形影婆娑，「禪」之意蘊，醞釀而生。

Introductory， the vivid snow-white （porch sculpture）， willful， and shadowy， the connotation of “Zen” is brewing。

▲玄關 / Porch

清雅沉穩的木元素，質樸粗礦的洞石，乾淨大氣的屏風有序排列鋪敘層次美感，體塊的穿插烘托介面的整體性，營造出沉穩的節奏。

Elegant and calm wood elements， plain and rough travertine， clean and atmospheric screens are arranged in an orderly manner to narrate the beauty of layers， and the interspersed masses highlight the integrity of the interface and create a calm rhythm。

泉甘器潔天色好，坐中揀擇客亦佳。

——歐陽修《嘗新茶》

Quanganqi is clean and the weather is good。

——Ouyang Xiu “Taste New Tea”

為規避在整體空間在功能排布方面橫平豎直的乏味，我們透過軟裝在空間內部透過各功能區構造的差異化，來打造空間「起承轉合」的層次邏輯，以此排布動線，引導人們行為的發生。

In order to avoid the horizontal and vertical boringness of the overall space in terms of functional arrangement， we use soft decoration inside the space through the differentiation of the structure of each functional area to create a hierarchical logic of space “rising， inheriting， turning and combining”， so as to arrange the moving lines。 Guide people‘s behavior。

「虛」與「實」的掩映，「動」和「靜」的調和，含蓄地將東方藝術的灑脫情懷滲透至富於張力的細節中。閤家戲耍圖——蘊意祥和安康，深度結合潮汕家庭的美滿期許，增加空間的韻意感。

The concealment of “virtual” and “real”， and the reconciliation of “movement” and “stillness” implicitly penetrate the free and easy feelings of oriental art into the details full of tension。 Family play with pictures-implies peace and well-being， deeply integrates the promise of Chaoshan family beauty， and increases the sense of charm of the space。

取自然真意，化「煙火」韻之景；食材自然肌理及氣味，以豐富的食療食材分佈的形式融於空間並相得益彰，柔和的燈光渲染出疏闊的純粹之境。

Take the true meaning of nature and transform the scenery of “firework” rhyme； the natural texture and smell of the ingredients are integrated into the space in the form of a rich distribution of therapeutic ingredients and complement each other。 The soft lighting renders the sparse and pure environment。

逍逍遙而止，逍遙而至，逍遙而知。用人性、靈性和神性的融通，以「氣韻生動」和「起承轉合」來控制節奏和旋律。是化，是無，是空，是間，是微，是合，是生，是氣。空間的一分一步都有它自己的使命所承。

Happy to stop， happy to come， happy to know。 Use the fusion of humanity， spirituality and divinity to control the rhythm and melody with “lively rhythm” and “rising， inheriting and turning”。 It is transformation， nothingness， emptiness， time， micro， harmony， birth， and qi。 Every step of the space has its own mission。

▲衣帽間|收納 / Cloakroom|Storage

考慮到空間的整體及硬軟一體性，在選材上我們高度結合硬裝，攝入酒店處理手法，將次臥的品質感最大程度的提升並融入生活氣息。

Taking into account the overall space and the integration of hard and soft， we highly combine hard equipment in the selection of materials， adopt hotel treatment methods， and maximize the quality of the second bedroom and integrate it into the breath of life。

▽多功能書房 / Multifunctional study room

當遨遊太空的夢想成為現實……兒童房給夠孩童幻想的餘地，也給予他們承載人文的氛圍，動靜結合，細膩而富於生活化的配飾陳設，飽滿了整個房間。

When the dream of traveling in space becomes a reality。。。 The children’s room gives children enough room for fantasy， and also gives them a humanistic atmosphere。 The combination of dynamic and static， delicate and life-like accessories and furnishings fills the entire room。

最高程度利用空間在收納部分作出貼合空間的語言，給人們有更多支配主空間的餘地。

The highest level of use of space is to create a language that fits the space in the storage part， giving people more leeway to dominate the main space。

▲衛生間 / bathroom

從紛遝的歷史中走來，向平和、寧靜的生活日常中走去，潮汕人對生活的認知，與時代背景下生活方式的轉化，與城市本身的人文情懷一併成為了潮汕的筋骨與氣血，與這片土地共同生長。

Coming from the turbulent history to the peaceful and quiet life of daily life， Chaoshan people’s cognition of life， the transformation of lifestyles under the background of the times， and the humanistic feelings of the city have become the backbone of Chaoshan。 Qi and blood grow together with this land。

178

戶型

/ 城市印記 · 歷久彌新

SUMAY DESIGN

空間是一種表現藝術，也是一種情感象徵，居於城市，追求本真生活，我們從地方文化中尋找創作靈感，在城市肌理中汲取創作元素，承襲文化精髓，勾勒人文質感，打造具有潮汕文化底蘊的人居空間。

Space is a kind of expressive art and an emotional symbol。 Living in the city and pursuing the true life， we seek creative inspiration from local culture， draw creative elements from the urban texture， inherit the essence of culture， outline the humanistic texture， and create a Chaoshan cultural heritage。 Habitat space。

紅的色彩及大理石紋理的碰撞，高朋滿座間，一個談天論地、盞品家常的會客空間躍然成形，設計以鮮明的色彩層次渲染東方格調。

The collision of red color and marble texture， with a crowd of friends， a chatty and homely guest space has taken shape， and the design uses bright color gradation to render the oriental style。

有潮汕人的地方，便有工夫茶的影子。鄭板橋說：「最愛晚涼佳客至，一壺新茗泡松蘿。」喝茶，大約是繁瑣無趣的日常輪迴裡，最輕易就能「出離」的一種生命體驗。這齣離心，一半來自茶湯的慰籍，另一半，則源於空間營造的氛圍。

Where there are Chaoshan people， there is the shadow of Gongfu tea。 Zheng Banqiao said： “I love the coolest guests in the evening， and a pot of new tea with usnea。” Drinking tea is about the easiest life experience to “get out” in the tedious and boring daily cycle。 Half of this centrifugation comes from the comfort of tea soup， and the other half comes from the atmosphere created by the space。

繞過島臺，目光所及之處，儘是用餐區的雅緻與熱烈。推杯換盞之間，是與「我」或知己好友的不言自明，彷彿空間的靜謐，便是一切最好的答案。

Bypassing the island， as far as you can see， you can see the elegance and warmth of the dining area。 Between pushing a cup and changing a cup， it is self-evident with “I” or a confidant， as if the quietness of space is the best answer to everything。

主臥空間的米灰底色低調溫暖，紅色跳躍，張弛有度，清風徐徐，撩動紗簾，窗外的微光瀰漫，依稀還能聽到白鷺的清鳴。歷經了萬千繁華，心之歸處原是臥房那一隅清新寧靜。

The beige-gray background of the master bedroom space is low-key and warm。 The red color jumps and relaxes。 The breeze slowly moves。 The screen curtains are moved。 The light outside the window is diffused。 You can still hear the clear chirping of egrets。 After thousands of prosperous times， the home of my heart is the fresh and quiet corner of the bedroom。

輕柔的陽光在午後紛至沓來，鋪灑在空間中，沐浴著輕盈的光，款款訴說著自然純粹的情思與境界。每一個空間，都應有屬於自己的獨特設計語言，去表達居者的生活態度、情感需求與審美品質。

The soft sunlight pours in in the afternoon， spreading in the space， bathed in light light， and the paragraphs tell the pure feelings and realm of nature。 Each space should have its own unique design language to express the residents‘ attitude to life， emotional needs and aesthetic qualities。

女兒房兔子的出現，成為空間的一個載體，讓空間變得有趣而感性。室內充滿層次的氛圍和氣質，讓女孩的形象變得明快而生動。

The appearance of the daughter’s room rabbit has become a carrier of the space， making the space interesting and sensual。 The interior is full of layers of atmosphere and temperament， making the image of the girl bright and vivid。

陽光漫過紗簾。一壺清茶，悠悠裊裊，暗香沁入心脾。窗外的風景四時更迭，與室內氣韻繾綣相融，微妙的情愫頃刻流露。

The sun shines through the gauze curtain。 A pot of tea is lingering and scented into the heart and spleen。 The scenery outside the window changes at four o‘clock， blending with the indoor vibe， and the subtle affection is instantly revealed。

▲女孩房|陽臺 / Girls Room|Balcony

艷陽高懸的午後，陽光透過窗簾縫隙投射在男孩兒房內，感受光線和牆面肌理的微妙變化，鏡頭下的世界是汕頭城市的印記，人與時空的情感相會於此。

In the afternoon when the sun is high， the sunlight is projected into the boy’s room through the gaps in the curtains， feeling the subtle changes in the light and the texture of the wall。 The world under the lens is the mark of Shantou， where the emotions of man and time and space meet。

不論生活的場景如何變化，我們始終希望人在空間內，能夠感受到設計的有意為之，關於文化的載體，關於生活的縮影，呈現在面前。

——設計寄語

No matter how the scene of life changes， we always hope that people in the space can feel the intention of design， the carrier of culture， the microcosm of life， and it will be presented in front of us。

——Design Message

平面圖

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