Matěj Hájek和Tereza Kučerová首次被邀請參加由Hashim Sarkis策劃的第17屆威尼斯國際建築展（La Biennale di Venezia）。他們是捷克共和國在這個著名的當代建築展上的唯一代表，今年的主題是我們將如何共同生活？在 “我們將如何一起玩耍？”部分，在可以自由出入的Forte Marghera，他們展示了裝置作品 “OFF FENCE“。
For the first time are participants Matěj Hájek and Tereza Kučerová invited to the 17th International Architecture Exhibition - La Biennale di Venezia curated by Hashim Sarkis。 They are the sole representatives of the Czech Republic at this prestigious exhibition of contemporary architecture， on this year’s theme of How will we live together？ In the section How will we play together？， in the freely accessible Forte Marghera， they present the installation OFF FENCE。
柵欄是分離的象徵。在所有的歷史發展中，社會一直被各種形式的圍牆所分割，無論是在物理上、地理上、文化上還是社會上。如果我們問自己我們將如何生活在一起的問題，首先有必要意識到是什麼將我們分開。是什麼阻礙了我們和我們努力實現的狀態？
A fence is a symbol of separation。 Throughout all historical developments， society has been divided by various forms of walls， either physically， geographically， culturally or socially。 If we ask ourselves the question How will we live together？， it is necessary first of all to realise what divides us。 What stands between us and the state we are striving to achieve？
“OFF FENCE這個裝置被放置在一個激進的位置，穿過現有的碎石路，從而體現了分離的現象。”我們選擇了一種對抗性的態度。我們切過道路。我們把障礙物轉化為一種衝動。一個改變的衝動。”雕塑家Matěj Hájek說。
The installation OFF FENCE is place in a radical location， cutting across the existing gravel path， thereby manifesting the phenomenon of separation。 “We choose a confrontational tone。 We cut across the path。 We transform an obstacle into an impulse。 An impulse for change，” states the author， the sculptor Matěj Hájek。
建築雙年展的參觀者在路上遇到了一個障礙——一個木柵欄。如果參觀者希望繼續前進，他們就不得不解決這個問題。他們可以選擇放棄並回頭，或繞過障礙物，或穿過裝置。在我們制定的背景下，這種物理行為具有象徵性的意義：它使參觀者能夠進入障礙物，從而進入這個問題。“透過遊戲這一媒介，我們邁出了大膽的一步。我們透過自己的主動性推動變革的動力。這個遊戲是變革的開始。透過進入障礙物的身體，參觀者克服了自己，”Hájek描述道。
An obstacle is placed in the path for visitors to the Architecture Biennale – a wooden fence。 If visitors wish to continue on their way， they are forced to address the situation。 They have the option of giving up and turning back， or walking round the obstacle， or going through the installation。 Within the context we have formulated， this physical act takes on a symbolic meaning： it enables visitors to enter the obstacle， and thereby to enter the problem。 “Through the medium of play we take a bold step。 We drive the dynamo of change through our own initiative。 The game is an initiation of change。 By entering the physical body of the obstacle， visitors overcome themselves，” describes Hájek。
Tereza Kučerová補充說。“在城市中，沒有足夠的機會讓兒童自由活動。遊樂場往往被設計成唯一的遊戲場所。對我們來說，劃分兒童遊樂場的柵欄是這種缺陷的象徵。它將兒童與城市環境的其餘部分分開。在考慮到兒童需求的城市設計中，這樣的柵欄是沒有必要的。”
Tereza Kučerová adds： “In cities there aren’t enough opportunities for the free movement of children。 Playgrounds are often designed as the only places for playing。 For us， the fence demarcating children’s playgrounds is a symbol of this deficiency。 It separates children from the remainder of the urban environment。 In cities designed with the needs of children taken into account， such fences aren’t necessary。”
遊戲元素的空間構成是基於對神經科學領域知識的應用。作者補充說，他在布拉格美術學院的論文研究中專注於遊戲元素更廣泛的關係，沿著平臺的傾斜表面的運動帶來了物理裝置的刺激，從而也增加了遊戲的教育潛力。
“The spatial composition of the play element is based on the application of knowledge from the field of neuroscience。 Motion along the inclined surfaces of platforms brings about a stimulation of the physical apparatus， and thereby also an increase of the educational potential of the game，” adds the author， who focuses on the broader relationships of play elements in his research within his dissertation thesis at the Academy of Fine Arts in Prague。
建築方法和專案中使用的主要材料
建築物的側牆由落葉松木型材（60 x 120釐米）製成，它們相互連線，並藉助螺紋杆與鍍鋅鋼製成的支撐結構相連，形成裝置的組合。沿著木製 “柵欄 ”的整個長度，是水平的HEA型材，它們位於地形之下，共同構成一個單一的空間單元。填充在柵欄之間的傾斜平臺是藉助落葉松木稜柱形成的，並以彩色防滑塗層的膠合板作為護套。通道的梯子是由鍍鋅鋼製成的。
Construction methods and main materials used in project
The lateral walls of the construction are created from larch wood profiles （60 x 120 cm）， which are mutually interconnected， and also connected to the supporting construction made of galvanised steel， with the aid of threaded rods， forming the ensemble of the installation。 Along the entire length of the wooden “fences” are horizontal HEA profiles， which are located beneath the terrain， together forming a single spatial unit。 The sloping platforms which fill the fields between the fences are formed with the aid of larch wood prisms， and sheathed in plywood with a coloured， anti-slip coating。 The access ladders are made of galvanised steel。
空間設計
該裝置由四個落葉松木型材製成的 “柵欄 ”組成，它們從垂直軸逐漸傾斜。這些 “柵欄 ”與傾斜的平臺相互連線，可以沿著遊戲元素移動。可以沿著傾斜的平臺進入裝置，也可以從側面的鋼梯上進入。
Spatial design
The installation is formed by four “fences” made of larch wood profiles， which progressively incline from the vertical axis。 The “fences” are mutually interconnected with sloping platforms， which enable movement along the play element。 Access to the installation is possible along the sloping platforms， and from the sides on steel ladders。
Project： Installation OFF FENCE at the Biennale Architettura 2021
Studio： SKULL studio + MOLO architekti
Project location： Forte Marghera， Venice
Project country： Italy
Project year： 2020–2021
Completion year： 2021
Gross Floor Area： 34 m²
Dimensions： 10 x 3。4 x 4。2 m / 34 m2 / 135 m3
Collaborator： Production of steel construction： JJ-konstrukt， www。jj-konstrukt。cz
Production of wooden components： Doby Constep
Assembly： Matěj Hájek， Patrik Zamazal， Doby Constep， Jakub Kačmařík
Production： Kateřina Sedláková， Helena Znamenaná
非常感謝
SKULL studio | MOLO architekti
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hhlloo/景觀邦
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